ABOUT

Christopher Neville Wood (b 1952) traditional fine artist ; painter, illustrator, print-maker & sculptor

Education

From the age of 16 Chris Wood studied at The Ipswich Art School, followed by Wimbledon College of Art, in London, UK. He also completed a PGCE Cert Ed at University of Portsmouth

Life and Career
He divides his time between working as a fine artist and part time lecturer.

Chris Wood’s current work explores three themes, maritime painting, landscape and the human form

In the past, he has worked in advertising, retail, publishing and education. Chris Wood has taught art for over 20 years and has been an academic leader in Further and Higher Education institutions. Now he is a part time  visiting lecturer and demonstrator of drawing, visual communication and image creation at University of Portsmouth.

Whilst Observational drawing is the cornerstone of his practice, he has a reputation for meticulous research, traditional craftsmanship and highly detailed work.  Recent  work is freer, atmospheric and concerned with the physical properties of his chosen media.

He regularly exhibits in the UK and contributes to exhibitions held along the South Coast and London. 

SALES : LIMITED EDITION PRINTS are available direct from JACK HOUSE GALLERY, The  High St, Old Portsmouth UK

http://www.jackhousegallery.co.uk/news/

Current exhibition “City Life” New Ashgate Gallery in Farnham, Surrey.

http://www.newashgate.org.uk

ARTISTS STATEMENT

1. Why do you make art ?
I am a story teller, I try to discover who am am, to express myself – (I have to do it – to me it’s almost as important as breathing).

2. What inspires you to make art ?
Creation, the physical environment, the sea : how it moves, it’s power, shapes and ever changing forms, the weather, the light, the colours, shapes and textures of the clouds, history, ships, yachting, the people I meet, the books I read, personal memories, objects, tools, ephemera.

3. What does your work signify or represent ?
I seek to find answers but my work often represents a paradox between a celebration and enjoyment of the aesthetics of beauty and mans need to harness or control that beauty –  In short it’s often about struggle – physical, psychological or metaphysical.

4. What is unique about your work ?
My work is my life and I pull together numerous threads of experience.
I am an artist, craftsman and perfectionist : I express my ideas in 2D and 3D. Drawing and education are at the heart of my practice.
Over the years I have developed my own visual vocabulary and armory of skills which are constantly evolving.

5. How do you make your work ?
I paint in layers from the back to the front, often using a combination of traditional and innovative techniques.

Process is fundamental to my work. My paintings are the result of hundreds of hours of research, notes, conversations, drawings and colour studies. I make observational studies, field trips, take photographs, I seek information from libraries and the internet.
Primarily, I work in oils on the finest quality Belgian linen. I enjoy the craft skills of preparing the canvas and to me it’s a very important part of the process.
I am often asked how long it takes to create a painting and there is no simple answer – some are completed in a day – others take weeks, months or even years to finish !

6. What does it mean to you ?
Places can be very important to all artists – my special place is Suffolk, where I was born and raised. I have recently rekindled my former interest with East Anglia ; its landscape, wild coastline, harbours packed with classic boats, its unique architecture, museums and Anglo Saxon heritage.
Inspired and invigorated by a renewed sense of continuity I have begun a series of paintings and prints exploring combinations of still life objects that have a resonance with the North Sea and its impact upon both land and people. In conclusion this new string of inquiry reinforces my desire to tell a story – who I am, where I come from.