pressing matters

“Transcription” Wood Engraving : December 2011  100 mm x 100 mm Artists Proof, Lemonwood Block, Lawrence’s Seville Black Letterpress Ink on Japanese Kozo Paper.  Printed using an 1892 Albion Press © chriswoodartist all rights reserved 2012

This tiny print is my interpretation of a section of a reproduction of an abstract painting by an unknown British artist. Last December I did a one day wood engraving workshop at Omega Printmaking Studio with master printmaker, Garrick Palmer. Wood engraving is something I’ve always wanted to do but there are so few people that do it and consequently very few workshops to pass on the skills. I subsequently bought a resingrave block which is about 50 x 75 mm (2″ x 3″ ) and is made from mdf with a 1.5mm layer of very hard white plastic, which is the surface that you carve into and subsequently gets printed from. Having made a practice print in boxwoood then the above in Lemonwood, I’ve decided that the traditional materials are the best – they may be prohibitively expensive but the results are well worth the extra investment.

More news plus the trials and tribulations of printmaking later  . . .

About chriswoodartist

painter, print-maker and illustrator


  1. Sue Brown

    This is a beautiful print, Chris. There is a two day (weekend) wood engraving course at Central St Martins, London if that’s of any interest.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: